Getting Messy: Solving Writing Problems with Creative Play

Authors

  • Michelle LaFrance George Mason University; English Department; Writing Across the Curriculum
  • J. Indigo Eriksen George Mason University; Writing and Rhetoric
  • Sarah Johnson George Mason University; Writing and Rhetoric
  • Thomas Polk George Mason University; English Department; Writing Across the Curriculum
  • Robyn Russo George Mason University; Writing and Rhetoric

DOI:

https://doi.org/10.13021/G8itlcp.9.2017.1803

Keywords:

active learning, active learning classrooms, learning spaces, student engagement, creativity, student writing

Abstract

BRIEF SESSION DESCRIPTION:

This workshop will focus on a discussion about the opportunities that come of including different types of "creative play" in our classrooms.à Specifically, this session will explore ways that ââ¬Åcreative playââ¬Â empowers students to solve writing problems, break writerââ¬â¢s block, enjoy the writing process, and craft stronger academic writing across disciplines. After a brief introduction to theories of creative play, presenters will offer examples of the types of creative play they have brought to their own classrooms and lead participants in three creative activities. Participants will break into small groups to discuss the possibilities of creative play in their own classrooms and to design their own assignments. Note: A google drive with assignments, activities, and other course plans will also be provided to session participants.

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FULL ABSTRACT: This session discusses the opportunities that come of including different types of "creative play" in our classrooms, particularly helping students to solve writing problems and revise effectively. This 90-minute panel will explore ways that ââ¬Åcreative playââ¬Â empowers students to solve writing problems, break writerââ¬â¢s block, enjoy the writing process, and craft stronger academic writing. In her essay ââ¬ÅWriting as Feminist Rhetorical Theory,ââ¬Â (2010), Laura Micciche argues the gains of ââ¬Åplayââ¬Â for writers: ââ¬ÅPlay involves performance, critical engagement with texts, considerable rhetorical skill, audience awareness, capacity to negotiate voice and tone, and an understanding of social relationsââ¬âpragmatic, rhetorical knowledgeââ¬Â (182). Creative ââ¬Åplayââ¬Â can be serious, rhetorical, and illuminating for student writers who benefit substantially from the opportunities to rewrite the rules of writing as they learn to think in flexible ways about genre, audience, register, organization/structure, use of evidence, and other elements of academic writing. à

After a brief introduction to theories of creative play, presenters will offer examples of the types of creative play they have brought to their own classrooms and lead participants in three creative activities. (A google drive with assignments, activities, and other course plans will also be provided to session participants.) Participants will break into small groups to discuss the possibilities of creative play in their own classrooms and to workshop assignments.

Author Biographies

Michelle LaFrance, George Mason University; English Department; Writing Across the Curriculum

Michelle LaFrance is the director of the Writing Across the Curriculum program in the English Department.

J. Indigo Eriksen, George Mason University; Writing and Rhetoric

J. Indigo Eriksen is a Ph.D. student in the Writing and Rhetoric program.

Sarah Johnson, George Mason University; Writing and Rhetoric

Sarah Johnson is a Ph.D. student in the Writing and Rhetoric program.

Thomas Polk, George Mason University; English Department; Writing Across the Curriculum

Tom Polk is the assistant director for the Writing Across the Curriculum program in the English Department.

Robyn Russo, George Mason University; Writing and Rhetoric

Robyn Russo is a Ph.D. student in the Writing and Rhetoric program.

Published

2017-06-06

Issue

Section

10:30am-12:00pm Workshops