Opening The (Artists') Books: Enhancing Discovery Through Student Research

Authors

  • Lynn Eaton George Mason University
  • Stephanie Grimm George Mason University
  • Jen Stevens George Mason University
  • Brittney Falter George Mason University
  • Alyssa Fahringer George Mason University

DOI:

https://doi.org/10.13021/itlcp.2019.2510

Abstract

Location: Dewberry Hall

Over the past few years, Mason Libraries has collected a critical mass of artists' books, which are complex artistic expressions that incorporate a range of techniques, styles, materials, and subjects. Our project will address new modes of discovery and access for this collection. Artists’ books–an artistic expression that uses the book as a medium–are collected by the University Libraries and used in research and classes from multiple disciplines. With over 350 items in this growing collection, representing a broad variety of disciplines, media, and modes of production, it is imperative to have multiple points of access in order for students, faculty, librarians, and other researchers to identify and more easily locate and use these unique objects. More specifically, we need to develop a way to facilitate searching for items based on their features such as bindings, paper types, and printing technologies in addition to their topic(s)and more traditional “author/date/title” searches. A team of librarians, archivists, and digital scholarship specialists is developing a long-term plan for the Libraries to collaborate with undergraduate and graduate student teams and subject faculty to first analyze and describe the books, and then create an online resource that incorporates their descriptions with a robust search functionality to provide a scholarly resource for students, faculty, and researchers. The project is multi-faceted, will last more than 24 months, and includes at least two cohorts of students. These students will have the opportunity to apply their learned artistic knowledge to more fulsomely describe the Libraries’ artists’ books, as well as develop leadership and project management skills. By analyzing artists’ books within established best practices and recognized standards, students will be able to transfer these experiences to both their own future coursework and research, as well as their creative and professional careers. A second phase of the project will involve developing these descriptions into a digital format. Students will work with the project team to assess existing digital platforms in relation to project needs and then implement the metadata schema to the selected digital resource. Ultimately, this resource will enhance the discoverability of the artists’ book collection, and students, faculty, and researchers will be able to perform faceted searches to view detailed descriptions and browse high-quality images of each book. In this presentation, the librarians and archivists will discuss the project stages, outlining the artistic and technology goals and needs of the students, and partnership opportunities with faculty and classes during the project and after its completion.

Author Biographies

Lynn Eaton, George Mason University

Special Collections archivist with experience in areas of reference, technical services, project management and digital collections.

Stephanie Grimm, George Mason University

Stephanie Grimm is the Art and Art History Librarian and manager of Fenwick Gallery in Fenwick Library.

Jen Stevens, George Mason University

Jen Stevens is the Team Lead for Arts and Humanities at Fenwick Library and the subject librarian for English and Women and Gender Studies.

Brittney Falter, George Mason University

University Libraries 

Alyssa Fahringer, George Mason University

University Libraries 

Published

2019-08-01

Issue

Section

4:15pm-5:30pm POSTER SESSION (Group B- 4:45-5:15pm)