Vol. 16 No. 2: Summer 2019

• Editor's Message

  Marc Jason Gilbert

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Forum: Film and World History

• Introduction: Forum on Film and World History

  Scott C. M. Bailey

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• Ideas for Constructing World History on Film Courses

  Scott C. M. Bailey

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• How to Read a Historical Film

  Peter Burkholder

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• Resistance and Collaboration in Chinese World War II Films

  Desmond Cheung

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• The Ocean as Metaphor and Avenue for Progress: Views of World History in Chinese Television Documentaries

  Robert Y. Eng

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• Whom the Gods Would Destroy and the Film Campaign for the League of Nations

  Alex Holowicki

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• Adam Curtis' Spooky Carnival: The Documentarian as World Historian

  Todd Scarth

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• We do need an education: Teaching Pink Floyd: The Wall

  Libi Sundermann, Joshua Scullin

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• History and Film and the Challenges of Memory: The Case of Ari Folman's Waltz With Bashir

  Eric Engel Tuten

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Articles

• Australia and the United States: Comparisons and Conjunctures Between Settler Societies in the Pacific World

  David Neumann

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• Digital Resources for Teaching World History with Cinema and Film

  John Maunu

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Book Reviews

• Stuart Gordon, There and Back: Twelve Great Routes of Human History

  Tom Laichas

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• Michael A. Gomez, African Dominion A New History of Empire in Early and Medieval West Africa AND Lawrence James, Empires in the Sun: The Struggle for the Mastery of Africa

  Y. G-M. Lulat

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• Jürgen Osterhammel, Unfabling the East: The Enlightenment's Encounter with Asia

  David Neumann

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• Michael G. Vann and Liz Clarke, The Great Hanoi Rat Hunt: Empire, Disease, and Modernity in French Colonial Vietnam

  Matthew Schauer

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• Geoffrey B. Robinson, The Killing Season: A History of the Indonesian Massacres, 1965–1966

  Michael G. Vann

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